![]() ![]() In those days, Clark DeLeon wrote a column for the Philadelphia Inquirer. Mamet later said that he invented the caller’s particular brand of fantasy, but the story has a lot in common with an actual phone call delivered to an actual Philadelphia journalist earlier that year. The caller believes he’s found a connection between British historian Arnold Toynbee, Stanley Kubrick’s 2001: A Space Odyssey, and a developing plan to populate planet Jupiter with Earth’s dead. The show tells the story of a nighttime talk radio host who fields a bizarre phone call. In 1983, playwright David Mamet published a one-act play titled 4 A.M. It looks like gibberish-until you consider that related concepts were surfacing in the art and media worlds around the same time. The tiles contained a message, usually the same message, with minor variations: The plaques were roughly the size of a license plate and made of layered linoleum and asphalt crack filler. Sometime in the 1980s, Philadelphia pedestrians started to notice strange colored squares embedded in their streets. Origins and First Sightings: Philadelphia, the 1980s If you’re looking for answers, sorry: you’ll only find more questions here. What was so valuable that someone would risk such a public act of thievery? For that matter, what kind of artist chooses the city street for a canvas? Finally, after some work, the criminal disappeared into the crowds of night with the prize in hand (or into the crowds of day-no one knows, and the culprit is still on the loose). ![]() The thief gouged at the asphalt with a putty knife. At an unknown hour of an unknown day in the summer of 2009, an art thief knelt at the intersection of Sixth and Olive streets in downtown St. ![]()
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