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MCAT RESOURCES & INFO Study Groups Want to help us improve this subreddit or tell us about a new resource we can add to the sidebar? Below you will find our forum rules, resources, and more. We made multiple videos showing exactly what’s in this deck, how to use it and how to update from the original Miledown deck (without losing scheduling and/or personal edits). Make flashcards with text, sound, and images, or download pre-made ones. We request that you read the sidebar COMPLETELY before you post. Anki App is a cross-platform mobile and desktop flashcard app. r/MCAT is a place for support, discussion, advice, social networking, news, study tips and more. The MCAT (Medical College Admission Test) is offered by the AAMC and is a required exam for admission to medical schools in the USA and Canada. Welcome to the BEST place for MCAT prep and practice materials. So if you have three different element cards, or use the Elementary card in the combo, you get a great boost to your damage that turn, especially if you’re set up to make as much fire damage as possible! Barrier is fantastic, especially since it stacks with her barrier spell, but doesn’t stack on itself, so going for it twice in a row is kind of a waste, when you could save that combination for when it’s needed.įlame counter, however, is only as powerful as the amount of elements used in the chain to attack. Like, Copernica has two that perfectly fit this, the Barrier one and Flame Counter. Well, those free cards you get for “Hero Chains” is mean’t to be situational, so while they seem exciting to go for, they are only as useful as their context, with a few exceptions. I should have tried to work in poison in order to negate his healing even more but I kinda forgot about it since I never used it before. Always keep the big dude blinded which helps a lot with his big attack, always have regen up and try to chain as much as possible with coppernica for the AoE shields. My goal was to build up a lot of cogs, then unleash a fullly buffed Orik on the main boss, which deals a fuckton of damage. Play defensively, mostly ignore the little slime because they'll be back and aren't very dangerous, killing them doesn't seem to make the king slime heal less often. Orik with crit buff, one heal mask, one demon mask, the skills that eats all your steam and deals a bunch of damage, the skill that allows you to use one more card next turn if you crit along with the regen skill you just got. Galleo with blind, regen, heals and shield, og weapon for more shielding and crutch aoe heal, also had the sprinkle attack that reduces lightning res which helps with both coppernica's regular attacks and Orik's big finisher. Coppernica using her original weapon, the buff that gives more gear along with one shield and a bunch of lightning spell (and maybe one AoE fire spell, not sure). The King Slime? I went with a very similar setup to the previous boss, took 2 tries because I wasn't prepared the first time. The “dodge this turn” move they have can be upgraded to have an effective rate of One Hundo percent dodge! It’s an investment though, but can be practically irreplaceable. They are my favorite party member (members?) in so many ways, in an already amazing party of characters. You wanna get more taunts? Put ‘em with Galleo, and start using the Taunt Punch with them, you won’t be disappointed! Let alone all the Ailment combo’s they have with other characters, alongside their own. Even has the bonus of mostly being not skills, allowing steam to buld up for their powerful attacks, not to mention reducing enemy damage output significantly, and healing themselves in the process! I’m kinda surprised, if you’re playing on normal I can understand not really NEEDING them, but on Legend they become practically necessary! Galleo’s Blindness has saved my bacon from both damaging AND debilitating attacks more times then I can count! It was even instrumental in passing the hardest fight in the game so far, the 1st act boss, given the lack of card upgrading or massively useful cards until after the fight.Īnd let me tell you, while Ailments can come and go, the amount of buffs and debuffs Tarah and Thayne can put out, in Quck Succession mind you, to then Completely Murder an enemy is frankly astonishing. Some of my best cards are from those moments, and it really makes you feel like this journey truly changed these people. Not to mention the masterful story integration of having characters learn new moves based on what happens during the story, that’s absolutely stunning. That’s honestly masterful game design right there! You are provided enough redraws and opportunities in combat to exemplify YOUR deck, and it’s usually your fault if you run into a situation where you can’t do anything in a given turn. I feel like the card drawing and deck limit balance of the game is pretty fair. Obviously the game changes with Galleo, since he’s both capable of a powerful healing power buff, and powerful single or multi target healing on his own, but excluding him requires working around lacking his ability to fix mistakes. If you’re gonna go in hard, you have to mix those in so you can keep yourself from losing health in the first place. That’s why there are so many damage mitigation tools like stun or blindness on the enemy, or defense ups on your allies. It’s ends up being something that slows your momentum if you need it badly enough. Most characters have at least one method of healing each other, but without a specific buff to healing ability, it’s difficult to use it to clean up after a really bad hit. His 1978 $1 million lawsuit pertaining to unpaid CSN&Y royalties was eventually settled amicably. Neil Young sent me money (via Western Union) to pay the Mexican police ( Judicial Government Police) for my freedom." with the Mexican president's nephew as a political prisoner, because we had tried to smuggle marijuana across the border. Reeves was incarcerated in Mexico from September 1977 to April 1978, saying that he "spent time. Reeves's song "I Got Your Number" has been recorded by such artists as Tom Jones, Boz Scaggs, and Johnny Bristol. Although he has conceded that " thought I was trying to put spells on them" due to his trenchant interest in Native American shamanism, Reeves ultimately ascribed his termination to "Stills a problem with himself, just dealing with himself." Post CSNY Reeves has alleged that the "bass hook" of one of his songs was appropriated by Stills for the main riff of " Carry On." Heeding the advice of James, he demurred from pursuing the issue after receiving a profit point on Déjà Vu. Following Reeves's termination, Young defied his bandmates and continued to collaborate with Reeves. We'll sing any song if it's great, but not just because it happens to be written by our bass player." Dallas Taylor (who seldom fraternized with Reeves and was dismissed from the group a month later at the instigation of Neil Young) later noted that while Reeves and Stills did not get along, Reeves and Young were good friends. He could play bass imaginatively, but he has to be predictable as well," while Reeves also wanted to sing some of his songs during CSN&Y shows, which Stills thought was "ludicrous, only because the songs weren't great. In consultation with other band members, Stephen Stills fired Reeves from the group in April 1970 "because suddenly decided he was an Apache witch doctor." Stills further opined that Reeves "freaked too much on the bass and no one could keep up because did not play one rhythm the same. to this day I don't how Graham and David knew where Rick and I lived. From the first time jamming with me, they would not let me leave. I asked Rick James "Aren't you coming, too?" He said "They want you to come alone." I went back to the house, grabbed my Fender Precision Bass guitar and Gibson acoustic guitar, climbed into the limousine and never came back to Rick's house again. They asked Rick James who I was and Rick came, got me and brought me out front to the limousine that Graham Nash and David Crosby were in and asked me in front of them, would I mind going with them to jam. from the pool I saw them knock on the door, and Rick yelled for me. Reeves was living with mentor Rick James in Los Angeles when he was recruited for CSNY:ĭavid and Graham drove up to the apartment where we lived on Olive Drive at the time. Reeves recorded and toured with Crosby, Stills, Nash & Young from August 1969 to January 1970 and is credited on the cover of their 1970 Déjà Vu album he appears with the group in the concert documentary Celebration at Big Sur (filmed in September 1969) and in contemporaneous television appearances on This Is Tom Jones and The Music Scene. Reeves stated that his most notable performance for the company was the bass part (overdubbed in Los Angeles) of " No Matter What Sign You Are," the final song recorded by Diana Ross with The Supremes. During this period, Reeves was also mentored by other Motown musicians, including Rick James (who concurrently played alongside Reeves in Salt 'n' Pepa, a Los Angeles rock group formed from the remnants of Merryweather) and James Jamerson. During the recording session for The Temptations' " Cloud Nine," Reeves was apprehensive about his bass playing and switched to tambourine at the behest of producer Norman Whitfield, his recruiter and main benefactor at Motown. By 1968, however, Reeves was employed as a session bassist at Motown. Reeves had been scouted as a session musician at the age of 12 by Motown Records and Chess Records, though his mother "would not hear of" him playing professionally at that age. While Reeves acknowledged having a fake ID and being "very young" while with CSNY, Rolling Stone stated his age as 19 in a December 1969 article. In an interview, bandmate Dallas Taylor spoke of a rumor that Reeves was as young as 15 years old when he joined CSNY. Reeves grew up in Warren, Ohio, and graduated from Warren Western Reserve High School in 1968. He is best known for playing bass on Crosby, Stills, Nash & Young's album Déjà Vu (1970). Gregory Allen Reeves (born 1949 or 1950) is an American bass guitarist. Hier finden Sie Ersatzteile und Zubehör für alle EHEIM Innenfilter. So können Sie die Ausströmrichtung ganz nach Belieben einstellen. EHEIM Innenfilter - Ersatzteile und Zubehör aquaball, aquacorner, biopower, mini, pickUp, Powerline. Der runde Pumpenkopf sitzt in einem Kugelgelenk. Some models come with all the filter media you need, and installation accessories. Mit EHEIM aquaball bieten wir Ihnen ein ausgezeichnetes Innenfilter-Konzept mit Rundum-Vorteilen. On the front is a digital thermometer that can be controlled and pre-set between 64-93F. The 250, 350, and 600 models are all available as a thermofilter. For cleaning, you simply remove the filter baskets. The 1200 XL model is great for tanks up to 1200 liters (260 gallons). Diese Anzeige ist leider nicht mehr aktuell. The water is drawn in all round, over a wide surface area, through the modular filter baskets which can be filled with filter media and easily cleaned and replaced. Eheim Innenfilter Aquaball 2212 neuwertigEheim Innenfilter Aquaball 2212 neuwertig. Its base rests securely on the bottom of the aquarium. EHEIM Aquaball Innenfilter bis Technische Daten: Pumpenleistung: regelbar 180-550 l/h, 6 Watt Für Becken von 60-130 Liter 230 V, 50HZ Filtervolumen: 320 cm³ 3x Filterkammern Maße: L x B x H: 9,6 x 9,6 x 21,5 cm. This extra prefilter traps the majority of coarse dirt particles, even before the water reaches the external filter. Most sound machines feature some version of white noise (a kind of humming static) and nature sounds. For people who struggle to fall asleep, sound machines with guided meditations and breathing exercises may help them drift off more easily and actually stay asleep. They can also benefit those who have difficulty sleeping in a totally quiet environment by introducing a calming, neutral background for rest. Polos, including outside traffic, pets, and household sounds. Sound machines benefit sleep by drowning out the unpredictable noise in an environment, explains Dr. What to Know About Sound Machines for Sleep Benefits of Sound Machines Our staffers, who have a variety of sleep habits and needs, used the machines for a minimum of five days and up to a number of weeks, paying close attention to sound options, volume range, and changes in sleep quality. With their advice in mind, we tested 18 of the market’s best sound machines for sleep and narrowed them down to our top 14 picks. Peter Polos, MD, PhD, FCCP, FAASM, sleep medicine specialist and sleep expert for Sleep Number.Kevin Motz, MD, an assistant professor of Otolaryngology at Johns Hopkins University.We consulted the following sleep experts to make our list of the top sleep machines: Features: Two-phase alarm, night light, Bluetooth speaker, meditations, sounds, timer.Sound Types: Guided meditations, music, nature sounds, bedtime stories.Most of the controls need to be adjusted on the actual machine. There’s also a convenient built-in Bluetooth speaker for getting ready bedroom tunes and an adjustable warm night light.Īlthough we were impressed by the number of features this alarm clock provides, we wish there was more hands-free control via the app. The beautiful console is available in four moody colors, and its two-phase alarm works to gently lift you out of sleep with first, melodic tones, and then, upbeat jams. This alarm clock has it all: a subscription-free, ever-updating library of sounds including white noise, nature tracks, meditations, and even customizable bedtime stories, all of which can be accessed on the device or in the Loftie app. The app doesn’t offer as much hands-free control as we would’ve liked. Features: Sunrise alarm, mood lighting, app compatibility, sound and meditation library.Sound Types: White noise, music, and more.The price might seem high if you’ve never used a sound machine before, but it’s worth every penny. Using the Hatch app, you can easily control all of its functions including volume, customizable sleep and wake routines, and even guided meditations, which are available through an optional paid monthly membership. You can even set the light to different relaxing colors while you’re winding down (we especially liked the red setting). It also features 10 mood-lifting sunrise alarm settings and a night light that comes in handy for midnight bathroom runs. Even light sleepers who are easily disturbed by background noise will drift off faster and stay asleep thanks to its nine different soothing sound options. You have to pay for a Hatch app membership to unlock certain features.Īfter five days of use, we noticed the Hatch Restore improved our sleep routine. Based on extensive testing and expert recommendations, we’ve selected our top 14 sound machines so you can skip the trial-and-error and jump straight to a great night's sleep. We tested designs that offer bare-bone features as well as some that have all the bells and whistles. These sounds simultaneously soften distractions and lull you into a restful slumber. There are a variety of models (some more complex than others), but, at its core, a sound machine emits soothing, neutral sounds like nature tunes, white noise, fan sounds, and more. It may seem gimmicky, but plenty of our staffers who initially scoffed at the idea of using a sound machine were complete converts after less than a week of using one to fall asleep and stay asleep. But what if all of those functions could be accomplished by one compact device? Or, better yet, one that keeps you off your phone before bed and drowns out background noise more effectively than that dusty box fan in the corner? If that sounds appealing, you might want to consider purchasing a sound machine. Alarm clocks, fans, meditation podcasts, night lights: these are all tools many of us use to get the best sleep possible. then a good mix is more about levels and panning and a bit make up here and there. I would never try to shape or squash a sound with to may plugs where i want it, if it is necessary to slap a ton of FX on to a sound to get it where you want it, then the choice of the sound is already totally wrong (in recording it's the same plus often simply badly recorded) if the selection is already good and the harmony of the sounds is already given majorly when everything is still dry. It is just like with a real recording, the choice of the sounds beforehand can make a lot of difference, ehhh. I personally try to avoid mixing tracks in live because i dont like the ableton sound. with abletons fx racks you can create such paralel processings.you might however need to have dummy plugs in the parallel chains because you cant allways trust the latency compensation and therfore might have phasings when one chain has only one plug and the other 5. Only with the very best vintage analoge desks you just move some levels and everything sounds wright. on digital ones you need such tricks even more. People do that on analoge desks all the time. so for example having the bassdrum on one channel clean.on the other with higfiltering and some short reverb in a compressor and mixing that together. Having parallel processing on one track can help. most pros use expensiv third party plugs because they sound better. daw´s that have better reverbs, filters and saturators usually are able to achive better mixes. Without an eq plug and maybe a saturator plug on allmost every channel you usually dont get very far with mixing in ableton live. filtering of high freq or different left /right processings are measures to create room or depth illusions. a lot of what people experiance as dead sound is actually because there is no room information in the sounds. exchanging the sound or slightly detuning it sometimes does more than any filtering.Īnd there are not many that are happy with abletons reverb plug in. when your hihats sound crap its most likely that this is because they actually sound crap. So you might be better of with not bothering too much about the sound and focus on the production. I also witnessed some gorgeous sounding tracks being totaly ruined by mastering. i witnessed some really crap sounding tracks coming alive thru good mastering. can happen that a lot of what makes professional tracks sound good has happened in the mastering. However, just working with perfect recorded sounds or beefing tracks tracks with analog filtering and compressor, and recording it back into a daw can help to reanimate dead sounds in better ways than doing it with 5 plug ins.as long you have good convertersĪnd yes. so it safes you from inserting eq´s, saturators and high and low cuts in allmost any channel.įrom my experiance i would say that there are no good sounding in the box mixes without the aid of tons of good plugins. what has a pretty good concept because it trys to emulate an analog mixing desk. for mysterious reason there are people that claim to achive better sounding results when using logic, protools or cubase.some seem to like the harrison mix bus software. Could it simply be they're not mastered yet?īeen going crazy all weekend over this, and help would be appreciated. Plus the overall volume is way lower in general.ĭo I just need to go back and keep trying or is there something I'm missing. The kick isn't as prominent, the bass has no life and the hi's sound blah. Nephew wrote:I've spent time mixing down three tracks that I'm very happy with, but when I compare them to other tracks in a similar genre they sound flat and dull. Kindergarten students have a lot to say all the time. This is not about having low expectations for your students, but rather, to ensure that you teach them exactly how you want them to do everything you will expect of them.īreaking down each classroom routine into steps, modeling these steps, and allowing ample time for your students to practice and receive feedback is so important in the kindergarten classroom. It can be easy to assume that your students know how to do things like line up or unpack, but the rule of thumb is: assume that your students know nothing. Routines and procedures are the what, how, and when for everything that happens in your classroom. In addition to classroom rules, you must establish strong routines and procedures. Teach, model, and practice routines and procedures ( Click here to download the free guide to creating classroom rules that work) 2. There are several tips that will help you make sure you have classroom rules that actually work, including making sure they’re specific, phrased positively, and broken down into steps. Without them, students don’t know what is allowed and what isn’t.Ĭreating classroom rules for kindergarten seems straightforward, but it can be a challenge to create rules that are effective enough to actually help you manage your classroom. Create effective classroom rulesĬlassroom rules and expectations are the foundation of your strategies for classroom management. So, how do you create an environment where you’re not constantly putting out fires? Here are 10 simple and effective classroom management strategies and tips that will make a long term impact on your classroom and students. You’re left running on a hamster wheel of managing disruptive behaviors and feeling like you have no time to teach. But do these traditional classroom management strategies work? Maybe in the moment, but they’re not effective for sustainable change. It’s built on a set of reactive strategies based on threats and bribes that are meant to force students into compliance. Traditionally, classroom management focuses on control rather than connection. Finding effective strategies for classroom management in kindergarten is a puzzle. And alos have learned e basics of cURL, how to make a basic GET request, and how to include headers in a GET request using the CURLOPT_HTTPHEADER option. In this article, You looked at how to use PHP cURL GET requests with headers. However, sometimes you may need to include headers in your GET request, for example, to authenticate the request or specify the data format. This code will make a basic GET request to the API endpoint and return the response. We close the cURL session using curl_close().We execute the cURL request using curl_exec().In this example, we set the URL of the request and tell cURL to return the response instead of outputting it directly. We set some options for the cURL request using curl_setopt().We create a new cURL resource using curl_init().We define the URL of the API endpoint we want to request.Let’s break down what’s happening in this code: The example above includes two common headers, the Content-Type header to specify that the request body is in JSON format and the Authorization header to authenticate the request using a bearer token. You can include any headers that are required for your API endpoint in this array. You then set the CURLOPT_HTTPHEADER option to this array, which tells cURL to include these headers in the request. In this example, You define an array of headers that you want to include in the request. 'Authorization: Bearer your-access-token'Ĭurl_setopt($ch, CURLOPT_RETURNTRANSFER, 1) Ĭurl_setopt($ch, CURLOPT_HTTPHEADER, $headers) Here’s an example of how to use headers in a cURL GET request: $url = '' Step 8: How to use headers in CURL GET request This frees up any resources used by the CURL instance. Step 7: Closing CURLįinally, You need to close the CURL instance using the curl_close() function: curl_close($curl) You can do this using the curl_exec() function, which executes the CURL request and returns the response: $response = curl_exec($curl) Now that you have set up our CURL instance and made the GET request, you need to handle the response. You can do this by using the curl_setopt() function and passing in the CURLOPT_CUSTOMREQUEST option along with the GET method as the value: curl_setopt($curl, CURLOPT_CUSTOMREQUEST, 'GET') You need to specify that you are making a GET request. In this example, you are setting the Authorization header with an access token and the Content-Type header to indicate that you are sending JSON data. This sets the headers that you want to send with our GET request. You can do this by using the curl_setopt() function and passing in the CURLOPT_HTTPHEADER option along with an array of headers as the value: $headers = array(Ĭurl_setopt($curl, CURLOPT_HTTPHEADER, $headers) Now, you need to set the headers for our GET request. This sets the URL that you want to make a GET request to. You can do this using the curl_setopt() function and passing in the CURLOPT_URL option along with the URL as the value: $url = "" Next, you need to set the URL that you want to make a GET request to. This will create a new CURL instance that you can use to make HTTP requests. You can do this by creating a new instance of the CURL class using the following code: $curl = curl_init() To use CURL in our PHP code, you need to first initialize it. If CURL is not installed, you can install it using the following command: sudo apt-get install curl This should display the version number of CURL installed on your server. To check if CURL is installed, you can run the following command in your terminal: curl -version CURL is usually installed by default on most Linux-based servers.
Layers: with Pixelmator, the image editing is layer-based: create, edit, delete layers.Color correction: the software offers over 13 tools for color correction: Levels, Auto Enhance, Curves, Color Balance, Brightness, Hue, Desaturate, Colorize, Replace Color, Channels, Exposure, Invert, Light, and Dark.Tools: enjoy over forty tools designed for painting, drawing, and retouching, but also some selection and basic tools, such as crop, hand, and zoom, among many others.You’ll also find helpful links to our User Guide, and a page designed specifically for beginners to help. On this page, you’ll find a wide range of Pixelmator Pro tutorials on a variety of fascinating image editing topics photography, design, painting, illustration, and more. Apprentice 13: Paint, Roto And Puppet Preactivated, Version Complte Gratuite De Pixelmator Pro. Master Pixelmator Pro with our collection of free tutorials. 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars. Lynda Com Indesign Cs 6 Essential Training Torrent. Applying LUTs, color adjustments, effects, and auto color adjustments to videos. Developing and contributing to the OEA architecture, data pipelines, analytical models, dashboard templates, and data governance processes. Search and access all Pixelmator Pro tutorials straight from the Help menu. You can also save and optimize the following formats for the Web: JPEG, PNG, GIF, or WebP. Open source sharing of education data and analytics tools.
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